My first musical memory dates back to the age of eight. That’s when I started classical music classes with a private, passionate and caring teacher who accompanied me for eleven years. Thanks to her, I acquired a solid foundation, learned the rigor of musical work and developed a true artistic sensitivity. Each piece studied was an open door to a universe that I discovered with curiosity and respect.
In parallel with this classic learning, I felt very early on the need to create my own sounds. I spent hours composing and recording my ideas on an old tape magneto. It was for me a spontaneous way of exploring music, of giving shape to emotions that I did not yet know how to name. These first experiments gradually led me to a more personal approach, where composition and sound research occupied a central place.
Classical music has always had an important place in my family environment. My father, a great amateur, transmitted this passion to me by regularly taking me with him when he recorded concerts. I observed with fascination the installation of the microphones, the concentration of the technicians, the attention paid to each sound nuance. These moments deeply marked my relationship with listening, silence, and sound capture. This is where my interest in sound recording arose, which over time became a natural extension of my musical journey.